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waving
of harmony |
school of
weaving |
macrobiotics
The Byzantine key
WEAVING OF HARMONY
Surrounded by the piles of colorful threads,
Zagorka Stojanovic sits in front of her loom as if on a confession.
"This is a monastery work", Zagorka extends the
parabole. "The rythm of weaving aims for slowness, unlike
the daily routine of modern crafts. The thread is woven line
by line, and if the hands are devoted, thoughts get appeased
like in a prayer." The inner peace enabled Zagorka Stojanovic
an unusual life dynamics. She has graduated in 1964 at the
Textile department of the Academy of Applied arts in Belgrade,
at professor Dragutin Mitrinovic's class. Quite a rich production
confirms turning a practical skill into an art of a high level
of freedom
Designing costumes, often the entire scenography in textile,
Zagorka completed over a hundred theatre plays, numerous movies,
TV dramas and series. The search for limits of the technique
reaches a peak in woven sculptures, of such an abstract figuration
that they almost lose touch with the old craft. In recent
years Zagorka Stojanovic found a new form of expression in
icon-weaving. Loyal to the Byzantine canons, the woven icons
avoid literal citation as the author discovers her modern
reading of the source. The polyptych Deisis, five woven icons,
won the Grand Prix at the Mileseva art colony in 1993, to
be exhibited later in Paris and New York. "I've learned
the craft in villages, from old weavers. They didn't know
to explain why or how", says Zagorka, "their craft
is in their fingers. Arts that had been tied to the survival
for so long, are deeply rooted in colective memory. People
have an intimate, atavistic need for the warmth which is ignored
by the spaces of modern architecture and
its cold materials.
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In numerous courses, summer schools, workshops,
Zagorka passes on her knowledge hoping tradition would step
out from the archives of etnology. "By this craftsman's
licence" says the Charter of the Alliance for preserving
the traditional weaving, presided by Zagorka Stojanovic, "the
weaver maintains the pure intention to charish and pass on
the love for this noble craft". Traces of the ancient
art mysteries are kept in metaphores - the feelings are intertwined,
a story is woven, an entire life follows a thread that can
weave miracles. And after the basis is made, the emptiness
is filled with a new shade of meaning. The materials themselves
are poetic.
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As the visiting professor at the Bucharest
Academy, following her exhibition or at study travells in
Italy and Poland, Zagorka Stojanovic, among else, recognized
the need to present her work as often possible. In former
Yugoslavia she exhibited in Slovenian as well as in Macedonian
galleries; today, she is prepared to visit small towns as
well as cities abroad. The United States, England, Gabon -
are some of the points in her cultural mission.
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Among countless awards and prizes, the
most recent are the ULUPUDS 1997 Annual Award and the KPZ
1998 Golden pin. Not long ago a TV documentary "Zagorka"
was filmed, directed by Petar Cvejic, resembling itself to
a weaving, composed of stories told by the artist's friends
and recordings of her various interests - from drawings and
collages to Thai-Chi practice and gatherings in the kitchen,
where Zagorka prepares food according to macrobiotic recepies.
The film won a special diploma at Zlatibor MEFEST in 1998,
and the acknowledgment of the outdoors Museum of Sirogojno
- Old village, "for the harmony and beauty of living
and creating in mutual understanding of a human and the nature".
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